Thanjavur Painting – A Traditional Art form of TamilNadu
Tanjore painting is mainly concentrating on the painting Hindu saints and also deities. This painting can incorporate into the secular and also curly portraits in their arts and paintings for sale. It is the native art form of the Thanjavur is also known as Tanjore. It is the dense composition, vibrant, surface richness colours of the Indian paintings from the 18th century. In fact, it will mainly focus on the painting Hindu saints and also deities. It will incorporate secular and also court portraits into the arts. This painting fully consists of the ornament with the cutting glasses, pearls and also semi-precious stones.
The historical centre of culture
While the antiquity of art and poetry in Tamil Nadu dates back to the Sangam era, focused on Madurai, records imply Thanjavur too has a history dating back nearly two millennia. But the real rejuvenation of the city to historical significance occurred at the turn of the second millennia under the jurisdiction of the Chola kings, who were notable for their patronage of art forms.
The Chola rule fostered various art forms such as dance, poetry, and sculpture, but the most considerable strides were made in architecture. Under the control of Raja Raja Chola I, the magnificent Brihadeeswarar Temple was built, and for several centuries, it served as a centre of cultural and artistic advancement.
Abode of the Thanjavur Painting
Thanjavur Paintings are one of the most effective traditional art forms of South India and have been recognised as a geographical manifestation by the Indian government. Traditionally used to portray Hindu gods and goddesses, this technique involves rich colour schemes and is mainly known for its use of inlay work with glass beads, semi-precious stones and gold foil being the most common. Thanjavur paintings have seen a reappearance in interest in the recent decades, with many galleries now making this traditional art form readily available.
Features of Tanjore Painting
Thanjavur painting is popularly known as ‘Palagi Padam’, which means picture on a wooden plant as most of these pictures is etched on solid wood boards. This classical indigenous form of art is considered divine in its approach as most figurines are imitations of god and goddesses meticulously decorated with ornaments and filled with lively colours. Previously, precious gems like diamonds and rubies, were used to adorn portraits.
Nowadays, semi-precious Jaipur stones are used for the same purpose. The illustrations are pasted on a 22-karat gold foil, and the leftover space is smeared with vibrant colours. One of the different aspects of Tanjore painting is the plumpness in the idols’ faces, which demonstrate the characteristic pristine look in all the Tanjore paintings you will come across.
The natural things used for the beautification of a Thanjavur painting are cut glass, semi-precious gems, rich colours and laces. To match the gorgeous effect of the image, 22 karat gold foils are pasted in different parts of a figure while the rest of the areas are filled with day-glow colours that match up with the painting’s brilliance. Due to premier quality gold foil, a genuine Tanjore painting can last for generations without getting tarnished. A medium-sized painting would be on a much pricier side compared to that of the others.
To conclude, Tanjore painting is the optimal way of expressing devotion, truth and skill by an artist through his creation. This ancient form of devotional and traditional artwork thrives to date through Tamil Nadu’s artists’ intense craftsmanship and dedication. It is maintained in high esteem for its indigenous character.
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